Ernest Gardner and the study of sculpture

Ernest Gardner was the first Cambridge student at the BSA (1886/87). One of the tasks for his first year was a survey of Greek sculpture including a description of Cavvadias' installation in the Athenian Central Museum (later known as The National Archaeological Museum). Gardner mentioned works from Tegea, Delos, and Epidauros now on display in Athens, and then reviewed the displays in the Acropolis Museum, noting the newly discovered archaic statues, and the museum at Olympia. The archaic sculptures from the Athenian akropolis were the subject of a longer, separate study.

Gardner researched the technique of ancient Greek sculpture through the study of unfinished pieces. These included an kouros from Naxos (Athens NM 14; cat. no. 67), a late classical piece from Rheneia, and other unfinished pieces in the Archaeological Museum.

A further study published from Gardner's time as director was a head from his excavations at Paphos on Cyprus, and the stela of Kephisodotos, possibly from Lerna, in the museum at Argos.

After his move to University College London, Gardner prepared a Handbook of Greek Sculpture.

References
Gardner, E. A. 1887. "Recently discovered archaic statues." Journal of Hellenic Studies 8: 159-93. [JSTOR]
—. 1887. "Sculpture and epigraphy, 1886-1887." Journal of Hellenic Studies 8: 278-85. [JSTOR]
—. 1890. "The processes of Greek sculpture as shown by some unfinished statues at Athens." Journal of Hellenic Studies 11: 129-42. [JSTOR]
—. 1890. "Two fourth century children's heads." Journal of Hellenic Studies 11: 100-08. [JSTOR]
—. 1896. A handbook of Greek sculpture. Handbooks of archaeology and antiquities, vol. 1. London: Macmillan and Co. [WorldCat]
—. 1897. A handbook of Greek sculpture. Handbooks of archaeology and antiquities, vol. 2. London: Macmillan and Co. [WorldCat]

Unfinished kouros from Naxos. © David Gill.

Damophon of Messene

Several BSA students worked on Greek sculpture as their project. One of the key projects was undertaken by Guy Dickins who was invited to publish the sculptures from the sanctuary at Lykosoura in Arcadia. The site had been excavated by the Greek Archaeological Service under P. Kavvadias and the statues were found in the summer of 1889. The remains were quickly reported (by Charles Waldstein [see AJA 1890, pp. 209-10]) as the cult statues described by Pausanias (8.37.1-6) in the temple of Despoina. These colossal statues, created by Damophon of Messene, represented Despoina and Demeter, seated on a throne, with Artemis and Anytos alongside.

Waldstein wrote:

Of these statues, nearly all the fragments apparently have been recovered. There are over a hundred fragments, most of which have already been brought here, though not unpacked and not visible to the public, while some of the torsos were so large that they could not be transported on the roads that exist there. Special arrangements will be made for transporting them soon.

What Waldstein stressed was that this was the discovery of an original cult statue in situ.

Interest in Damophon was stirred by an article (1904) by Augustus M. Daniel, an associate student of the BSA, who restated a case for dating his work to the fourth century. Waldstein responded in a short note restating the case for a date in the early fourth century BCE. The case for a second century BCE date was presented by Ida Carleton Thallon (1906), who had been a student at ASCSA in 1899-901.

Dickins, a student of Percy Gardner, was admitted to the BSA in 1904/05 and started to work on Damophon (alongside his contribution to excavations in Laconia). During his second year at the BSA the Greek Government invited Dickins to ‘help in the re-erection of the colossal group at Lycosura’. At the annual meeting of the Hellenic Society in June 1908 it was reported that Dickins had reconstructed ‘out of unnumbered fragments, of the great group by Damophon of Messene … giving us for the first time satisfactory evidence in regard to monumental sculpture in Greece in the second century B.C.’ He continued this work on Damophon in the study of the sculptures in collections at Rome.

References
Daniel, A. M. 1904. "Damophon." Journal of Hellenic Studies 24: 41-57. [JSTOR]
Dickins, G. 1904/05. "A head in connexion with Damophon." Annual of the British School at Athens 11: 173-80.
—. 1905/06. "Damophon of Messene." Annual of the British School at Athens 12: 109-36.
—. 1906/07. "Damophon of Messene. II." Annual of the British School at Athens 13: 357-404.
—. 1910/11. "Damophon of Messene. III." Annual of the British School at Athens 17: 80-87.
Thallon, I. C. 1906. "The date of Damophon of Messene." American Journal of Archaeology 10: 302-29. [JSTOR]
Waldstein, C. 1904. "Damophon." Journal of Hellenic Studies 24: 330-31. [JSTOR]

• Reconstruction of group (Perseus).